'Les Incarnées' is a pictorial series exploring the passage from word to flesh. A crossing. That of a word that is first inscribed, then transformed. A word that gradually leaves the realm of writing to enter that of matter. 

The series is composed mainly of diptychs and triptychs. Each ensemble unfolds a movement. In the first panel, writings appear. Then, from one panel to the next, matter thickens. Color covers. The word disappears to the eye, yet it never vanishes. Beneath the material surface, the word remains. It has not faded. It has become embodied. It has merged into the pictorial flesh. The visible does not erase the invisible. It brings it to completion.

'Les Incarnées' question this mystery. How does what is immaterial take form? How does language become presence? How does what was written become lived, felt, embodied?

These paintings do not seek to represent. They invite experience. They open a space where meaning is no longer read, but received. Where the word ceases to be language and becomes living matter.